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The result is that of a contemporary-day Bosch painting — a hellish vision of the city collapsing in on itself. “Jungle Fever” is its possess concussive force, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
“Ratcatcher” centers around a 12-year-outdated boy living inside the harsh slums of Glasgow, a location frighteningly rendered by Ramsay’s stunning images that pressure your eyes to stare long and hard for the realities of poverty. The boy escapes his depressed world by creating his own down because of the canal, and his encounters with two pivotal figures (a love interest and also a friend) teach him just how beauty can exist inside the harshest surroundings.
This is all we know about them, but it surely’s enough. Because once they find themselves in danger, their loyalty to each other is what sees them through. At first, we don’t see who may have taken them—we just see Kevin being lifted from the trunk of an auto, and Bobby being left behind to kick and scream through the duct tape covering his mouth. Clever kid that He's, while, Bobby finds a method to break free and run to safety—only to hear Kevin’s screams echoing from a giant brick house around the hill behind him.
Well, despite that--this was among my fav Korean BL shorts and I absolutely loved the subtle and soft chemistry between the guys. They were just somehow perfect together, in a way I can't quite set my finger on.
Like many of the best films of its 10 years, “Beau Travail” freely shifts between fantasy and reality without stopping to detect them by name, resulting inside a kind of cinematic hypnosis that audiences experienced rarely seen deployed with such mystery or confidence.
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Sure, there’s a world of darkness waiting for them when they get there, but that’s just how it goes. There are shadows in life
As with all of Lynch’s work, the development from the director’s pet themes and aesthetic obsessions is clear in “Lost Highway.” The film’s discombobulating Möbius strip framework builds on the dimension-hopping time loops of “Twin Peaks: Fire Walk With Me,” while its descent into L.
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Annoyed by the interminable post-production of “Ashes of Time” and itching to obtain out in the editing room, Wong Kar-wai strike the streets of Hong Kong and — in a very blitz of pent-up creative imagination — slapped together among the list of most earth-shaking films of its ten years in less than two months.
You might love it with the whip-sensible screenplay, which received Callie Khouri an Academy Award. Or even with the chemistry between its two leads, because Susan Sarandon and Geena Davis couldn’t have been better cast as Louise, a jaded waitress lady gang piss gangbang anal and her friend Thelma, a naive housewife, whose worlds are turned upside down during a weekend girls’ trip when Louise fatally shoots a person trying to rape Thelma outside a dance hall.
“The Truman Show” is definitely the rare high concept movie that executes its eye-catching premise to absolute perfection. The thought of a man who big clit wakes around learn that his entire life was a simulated reality show could have easily gone awry, but director Peter Weir and screenwriter Andrew Niccol managed to craft a believable dystopian satire that has as much to state about our relationships with God mainly because it does our relationships with the Kardashians.
The crisis of identity on the heart of Kiyoshi Kurosawa’s 1997 international breakthrough “Get rid of” addresses an essential truth about Japanese society, where “the nail that sticks up gets pounded down.” Though the provocative existential query for the core in the film — without your work and your family and your place from the world, who do you think you're really?